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Pinan Godan

I always start and finish my katas formally. While the bow and the motion into second position is not part of the kata it should always be there. These motions signify courtesy and respect. These two traits will win any battle. Thus, they are included in this kata.



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Taikyoku Shodan
Pinan Shodan
Pinan Godan
Naihanchi Shodan

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Pinan5

Pinan Godan is initiated with a outside strike turning 90° into cat stance. To maximize the power in your outside strike, bring your elbows close and cross at the arms. Your back body should be expanded. So, explode into outside strike by contracting the back muscles. Since I don't like wasting motion, my crossing action is also a formidable strike - not just with the right arm either. The 90° turn is performed by dropping your weight into your right leg while rotating in place on the ball, or heel, of your foot. I tend to rotate on the balls of my feet which is a passive retreating action as compared to rotating on the heel. You should practice both methods. Be aware, if you rotate on your heels, you'll end up with the left heel down, which is bad posture. So, you might want to try a combination of the two.

pinan5

The next move is a punch with the right arm. Notice how I added power to my punch by rotating my body. I didn't sacrifice my stance either. I simply pulled my inner thigh toward each other and didn't allow the feet to move. This actually increased my grip on the ground. If you are new to karate, be sure to mind you knees. Your knees should always travel in the direction that your toes are pointing. If your right knee is to the left of your right big toe, you may have just injured yourself.

pinan5

Complete this sequence with a flowing water strike - 90° turn to the right. It looks like I got excited and turned 100° but I still have pretty good form. Can you see why it is called a flowing water strike? Imagine a drop of water landed on my left shoulder. Because of the position of my arm, it could flow down its length and drip off my fist. Or, when I am really working out, its my sweat that flows down my arm... Anyhow, when you turn, you want your body to come up and your right foot to come to your left. Move with authority because you want to put your body mass into this strike but you don't want to lose your grip with the ground.

pinan5

The next three moves are a repeat of the last three except they are on the opposite side of the body. So, here it is, the outside strike, 90° turn to the right. Like the first move, your arms cross and you add the extra strike. You are similarly dropping your weight into this strike. However, the foot work is a bit different. I actually have to sneak my right foot to a right a little bit. This allows me to turn simply by pulling the thigh together and rotating on the balls of my feet.

pinan5

Now, rotate your body mass into this right arm punch. This is picture shows great form. My arm gets full extension. You can even see my gi cracking in this frame! Not to mention, this frame also reveals on of the hidden kicks in the kata. Can you see that my toe is still on the ground but the chi is ready to attack?

pinan5

Now do a flowing water strike - 90° turn to the left. I got the angle nailed down perfectly this time and the water is really flowing. Judging from the angle of my hip, I really buried this punch! My feet are correctly aligned, too. The heels are together with toes pointing out. I brought my weight up, but I haven't locked my knees or lost the rooting with the ground. Ah, if I only did things this well when I tested...

pinan5

This move is a forward step into front stance - augmented strike. It is really difficult to explain how to do an augmented strike well. So, just do it like I did it in the video and you'll be fine. It might help to know, though, that the strike ends with the energy going both forward and down. I got there by circling my both my arms vertically and synchronously. Confused yet?

pinan5

The next move is a step forward and 45° left - cross arm stike low. However, there is a hand stack half way before the strike. Imagine you have grabbed someone and pulled them in towards you. Now, you are reversing the motion. Since the attacker is in front, you will need to go back and left for the throw. As the picture shows, my upper body energy is going back, but my lower body energy is going forward and left 45°. And, just ignore my left shoulder. It should be down. But, this video was taken in my pre-yoga days. I have much more control over my back body so this doesn't happen anymore. ;-)

pinan5

This is the step forward and 45° left - cross arm stike low. My shoulders are up. My hips are up and I don't really like anything about this picture. So, lets ignore it. I'm sure you'll do a lot better...

pinan5

Now, draw back to the right foot contracting into a cat stance. Your hands should stacks at your side and cross at the wrists. This is a big energy move and you want to be very careful that you do not move up when you do it. That means your stance here will be very low. Judging from the bend in my knees, I'd say I am low. It also looks like someone is about to get kicked but there are no kicks in this kata...

pinan5

Strike forward with open hands crossed at the wrists. You should strike about neck height and the power must be generated from the legs. You can see that I rooted into my stance by squeezing my thighs. So, my power originated from my legs, was amplified by my hips, and explode out my hands. Don't just throw this strike with your triceps - which is not good karate.

pinan5

Circle your palms around each other keeping the wrists in contact. The move should end with the left palm down on top of the right palm that is facing up. The left fingers should point right. The right fingers should point forward. For good form, bring your hands a little lower than what I show here. And, even though this move looks flowery and without practical application, it is far from that. In fact, this move demonstrates how to perform my favorite wristlock!

pinan5

The last move was a wrist lock which brought and attackers head down right in front of your hand. This move is an explosive punch with the left hand. Do not wind up. Just drop your weight and explode forward like you just sneezed! The right hand draws back to the hip just under the ribs.

pinan5

Step forward into front stance and punch with your right arm. In kata, lunge punches are usually performed with the hips forward. However, I have just done this one with my hips turn back. But don't worry. This is still a good technique. Although, my hips should be square, adding a little hip rotation doesn't destroy the technique.

pinan5

Bring the left leg forward into cross-legged stance - augmented strike. The right foot does not take any ground in this move. Yet, the move is clearly forward. The stance is also very small. It's as if there is someone very large in front of you preventing you from advancing. It is that idea that leads me to believe that this move is a finishing-move perhaps coming after a little tuite. However, it could be a set-up for a throw.

pinan5

Now, step your left foot back slightly and turn 180° into cat stance while doing an outside strike with the right hand and a downward strike with the left. Your right elbow should be about 4 inches from your ribs. It looks like my elbow is way to far from my ribs. Anyhow, my stance is small and my turn is big. To me, that indicates a throw but you should find you own applications.

pinan5

Turn 270° left by bringing the right foot around the left. Kneel down to the point where your left knee is about touching the ground, but isn't and strike low with your arms crossed at the wrists. The picture reveals a lot of application but little form. So, I am going to ignore this move.

pinan5

This move is a 90° right turn with an augmented strike. I know you can't see my arms but I am doing an augmented strike. Starting from the kneeling position, draw backwards to load your weight on to your left foot. Plant that foot solid because you must drive up and out of the kneeling position with your left leg. If you drive really hard with your left leg, your right leg should momentarily become suspended. With this, you can place your right leg over to the right and your body should follow. By doing this move this way, all of your mass will be behind your augmented strike.

pinan5

From the last move, squeeze your thighs towards each other allowing your left leg to give a little. When your leg gives, guide your leg in and left while your body turns 180°. You should guide your leg so that when it stops, you are in a perfect cat stance. While your legs are busy powering your turn, your arms should be executing the familiar outside strike/downward strike. Notice that from the augmented position, I circled my right arm under my left to the point where they cross. From here, I simply expand like I'm tearing a phone book in half.

pinan5

Draw up, back and turn to the right. This is how it taught. However, I have changed this move from how I was traditionally taught to be more consistent with my application. I know, I'll probably lose a test point for it but I will win the fight - such is karate. Anyhow, I am drawing up and thinking my left arm has the attacker in an inverted arm bar. If I hit up on the attackers inverted elbow, the fight will probably be over. But, simply drawing up will give me a weak strike. What I really want to do is throw my arm up and let my body mass follow close behind. It is like being on a trampoline. If you throw your arms up when you jump, you will jump much higher. Besides, I need to contract before executing the next move. So, why not contract during the draw up?

pinan5

Pinan Godan ends with another outside strike/downward strike turning right 45° into cat stance. All I can say is, "watch the elbow..."

Copyright ©2005, Robert Walsh, All Rights reserved.